I love visiting Mueller Brothers Timber in Old Monroe. It just feels right to me. I like the the guys that run the place and I like that it feels like I’m out in the country, even though I’m less than thirty minutes away from the shop. I visit there somewhat regularly just to see what is going on, look at logs and to purchase lumber. They run a big operation that I have written about before (click here to read more), but this time I decided to shoot a little video while I was there.
My main reason for visiting was to purchase some hard maple lumber for an upcoming project, since I don’t get hard maple logs, and therefore, hard maple lumber very often. While I was waiting for my lumber to be pulled, I took a look around the log yard to see if anything caught my eye (I don’t purchase logs very often – but I can be persuaded). I’m always amazed by the amount of logs that they have and this time they had even more than normal. I know I love to look around their sawmill and I thought you might too. Check out the video below to go on a quick tour with me.
Some quick notes:
The lumber bundles I am looking at are dry and available for sale, but they only sell by the bundle (usually in the 300+ bf. range). They move a lot of product and don’t sell in smaller retail amounts.
I mention cutting maple logs in the winter, which is desirable because the white (sap) wood of maple logs discolors and stains quickly and easily in warm weather. It is better to cut white woods in cooler weather because they decay or discolor more slowly.
I passed over the double-trunk white oak because I have a lot of white oak slabs and white oak is difficult to dry, especially when cut extra thick. Water doesn’t move readily in or out of white oak which makes the drying very slow and any attempt to speed the drying usually ends with the lumber splitting. Thick white oak can be dried effectively, just not quickly.
Recently, I got a question from a customer regarding a crack forming in his solid wood countertop. He built the top out of flat sawn white oak lumber and he wanted to figure out what caused the crack and hopefully, how he could repair it. Luckily, the repair is simple (just some glue and clamps), but he really needed to address the cause of the problem or the countertop would most likely crack again.
When he sent me photos of the crack, he also sent me photos of the how he attached it to the cabinets, which was very helpful. The vintage metal cabinets have a bracket in each corner with a hole just large enough for a screw, but not large enough to allow for any movement in the top. In this case, the wood was stuck in place and had no choice but to split when it shrunk in width.
I recommended to simply make the holes in the metal bracket bigger and to add a washer or use a large-headed screw to allow the top to move side to side while still being held down. The secret is to tighten the screws just enough to hold the top in place, but loose enough to allow it to move if the wood starts to pull.
This particular solution was pretty simple, but only because I have seen it many times before, and I knew what caused it. Without understanding how wood moves, the diagnosis wouldn’t be so apparent. Even though most people don’t worry about wood movement as much as I do, I always try to get them to understand the most basic premise, which is that wood moves more in width than it does in length, and you need to allow for that movement.
In woodworking in general, this disparity in movement is referred to as a “cross-grain situation”, when two pieces of wood come together with grain perpendicular to each other, then they want to pull in opposite directions. It happens all of the time in furniture construction, and it must be addressed to avoid catastrophic failures. In the example above, the setup was the same as a cross grain situation because the metal cabinet will not change in any dimension, while the wood moves in width.
When attaching wood tops of any kind, whether it be a wood countertop to a cabinet or a table top to a table base, you need to allow the top to move or it can split. The good news is that there is more than one way to attach a top and still make allowances for this movement.
The first and most common way, as mentioned earlier, is to make an oversized or elongated hole and to make up any differences with a washer or large-headed screw. Assume that any problems will be caused by excessive shrinkage and make sure that your holes are big enough and that your screws are placed in the holes so that the top has room to shrink.
Another method, which I like to use on tables, is to make blocks to fit into dados on the insides of the aprons. They don’t take too long to make and can easily be added wherever necessary. The blocks should be made so that tightening up the screws will just pull the top snug, like a perfect fitting tongue and groove joint and placed with a little separation to make sure nothing binds. They work great, and I think they look great too.
When attaching a top with a propensity to move, understand that all of your attachment points don’t have to have play in them. For example, you can firmly attach a countertop to the front of a cabinet as long as you allow the top to move in the back. Or, on table tops, you might choose to firmly attached the top in the middle of the width and allow the outside edges to move. This is perfectly acceptable and keeps the top centered on the base.
The main point to remember through all of this is to allow the wood to move. You can only really cause a problem if you don’t allow it to move. And remember , if you find that it is moving too much for your liking you can always go back and firm things up once you understand the potential problems.
For a more thorough description of wood movement click on these two earlier posts Have Your Heard About Shrinkage? or Why Quartersawn Lumber is so Stable: The 0-1-2 Rule In Action, to read a link on the subject. I think it is probably the most important subject for any woodworker to fully understand.
On a regular basis, probably at least once a week, someone contacts me looking to have a pin oak milled into lumber. They are excited because they finally got their hands on a truly giant specimen of a tree, and even though it is just a red oak, they are excited to get to work with a hardwood at a reasonable price. Unfortunately, I have to be the bearer of not-so-good news and try to get them to reconsider.
As I mentioned, pin oak is in the red oak family, but that is about the only relationship it has to any decent red oak lumber. Pin oak is not milled and sold commercially under the name red oak, and as far as I know, is only used for low-grade products like pallets and blocking, where the only requirement is that it be made of wood that will stay together. And funny enough, pin oak often falls short of even that low requirement.
The problem is that many pin oak trees suffer from ring shake, which is where the rings of the tree peel apart like an onion, making that section of lumber nearly unusable. The beauty of ring shake is that it can’t be seen from the outside of the log and it won’t always be visible even early in the milling process. Sometimes, it won’t be until the lumber has been fully processed and dried for it to start falling apart. Needless to say this is frustrating, especially if you are counting on that lumber for a project and then end up with no wood to work. Even if the ring shake isn’t bad enough to make the lumber actually break, it very often leaves at least one fancy break line somewhere in a board where you would rather not have it. Again, super frustrating.
So, let’s say you find a pin oak that is solid, with no ring shake, then it is all clear sailing, right? Far from it. You may have lumber, but you probably don’t have great lumber. One of the main attractions for pin oak is the giant size and the promise of a never-ending bunk of lumber comprised of super-wide boards. This, you may indeed have, but it comes at a cost. The cost is that all of the super-wide lumber will have super-wide growth rings, rings that may be up to 1/2″ or more in width. Because the tree grows so fast, putting on up to 1″ in diameter per year, the logs get big in a hurry too. It isn’t uncommon for a 36″ diameter log to have only started growing 45 years ago. It was planted because the trees grow to a large, stately appearance quickly, and that means big, wide growth rings.
Big growth rings mean a coarse textured wood, no matter how you cut it. Whether flatsawn or quartersawn, red oak is already known for its open, in-your-face, grain, and pin oak is ten times worse. Imagine an 8″ wide flat sawn board that may only show a couple of annual rings on the face. It looks more like the cheapest of spiral cut plywood for sheathing the side of your house, instead of quality hardwood lumber for building fine furniture. That same 8″ wide board, if quartersawn, will probably show about 20-25 rings, where a high quality white oak board will show 60-80 rings. The difference is night and day, with the higher growth ring count looking much more refined and not so clunky.
Even if the wood stayed together and for some reason the growth rings weren’t so wide, pin oak would still be far from a great hardwood. The lumber typically also sports bad color, bad smell (commonly referred to as “piss” oak by local tree guys), and many more knots than are outwardly apparent. Since the trees are usually open grown and well pruned, the always straight, always perfectly upright trunks appear to contain up to 30′-40′ of clear lumber. The truth is that the trunks typically contain only 8′ of clear lumber near the ground, with the remainder being full of knots from previously trimmed branches.
Overall, I have nothing good to say about pin oaks, except that they grow big, tall and straight. And, while it may be possible to mill pin oak lumber that meets some minimum requirements (like staying together), the best pin oak is still easily surpassed in quality by almost any other reputable wood. Just know, if you are thinking about paying someone to mill a pin oak tree for you, that I wouldn’t even mill a pin oak if it magically fell on my sawmill. I would take the extra time to get it out of the way, so I could mill something better. It’s just not worth it. Move on.
A few weeks ago I ordered 300 board feet of 12′, #1 common walnut from a wholesaler that I use on a regular basis. The customer that I ordered it for doesn’t mind knots, so #1 common, which is not the highest grade, is usually a fine choice – except in walnut. In the order, none of the boards looked very good, many were so crooked that I had to cut them in half to get a straight board, only a couple of the boards were over 7″ wide with a good number of them only 3-1/2″, and half of them looked like pallet wood. They were painful to look at and painful to use. So painful, in fact, that out of the 300 bd. ft., I couldn’t find two boards that contained a 4″ x 7′ clear piece to finish up another order. Out of 300 bd. ft. of medium-grade walnut lumber, I couldn’t even find 5 bd. ft. of clear lumber. If that same stack was red oak instead of walnut, I would have been able to find those two pieces in the first layer of the stack. I may have even found the two pieces in one wide board, between the knots.
This wasn’t a randomly poor batch of walnut from a consistently good supply. Every time I order walnut, no matter which sawmill or distribution yard it comes from, the quality of the wood from any of the grades is always worse than I could imagine. The crazy thing is I know it is going to be bad going in, so I try to prepare myself for it, and I am still surprised when I see it. I do end up using it or selling it, explaining to my customers that it’s just the way walnut is, that it is graded by different rules and even though it doesn’t look great that it is indeed higher-grade lumber. I have a hard time with this explanation, but it is absolutely the truth – walnut is graded differently from other woods.
If you search the internet for the reason walnut is graded on a different scale, all you will find is something along the lines of, “Walnut is graded differently from other woods to make better use of this valuable resource.” This sounds like a quote from someone towing the company line and giving a politically correct answer, and it does nothing to explain why the grade is so different.
The only tidbit you will find that sounds like a real reason for the lower grade of walnut is that it is difficult to get good quality wood out of the walnut log supply. Most of the wording would make you believe that walnut trees don’t grow tall and straight and don’t get to a decent diameter, so there just isn’t anything good to pick from. This is partly true. There isn’t a lot of good quality logs to choose from, but it has almost nothing to do with the way walnuts grow – walnuts grow just as tall and straight and big as many reputable hardwoods. The real, full and complete truth is that, yes, the log supply doesn’t have many high quality logs, but it is because the high-quality logs never make it to the sawmill, it’s not that they don’t exist. I know that I find good-looking walnut logs all of the time, and I don’t have any special powers to find good logs.
So, where are the good logs if they aren’t at the sawmill? They are sold to make veneer, which requires the best logs, and they are shipped overseas where walnut is viewed as even more valuable because it is a fancy import. And, since the demand for walnut is so high, even the “not the best, best” walnut logs are being shipped out and sliced into veneer. Species other than walnut are being sliced into veneer as well, but not in the same ratio when compared to the number of available trees. Walnut accounts for less than 1% of our forest, so there just aren’t as many logs to choose from and since almost every decent walnut log ends up anywhere but the sawmill, the odds of a good board ending up in the hands of a domestic customer are not good.
The situation is very obvious if you visit a higher production sawmill with a big supply of logs, where you will probably find three sorting categories for logs entering the yard. The largest pile of logs will be smaller diameter (14″ and less) and low-grade. The second biggest pile will be larger diameter logs (over 14″), but they will still be knotty and/or crooked. The last pile will be hidden in the back, away from the hustle and bustle of the sawmill where the best logs wait for the veneer buyer. These logs don’t have a chance of being cut into lumber because the sawmill can make just as much or more money selling the logs for veneer instead of wasting their time cutting, drying and selling them for lumber. If the sawmill can purchase a walnut log at $2 per board foot delivered to them and sell it for $3-$4 or more per board foot just for loading it on the veneer buyers truck, it makes no sense to touch it more than once.
So, the problem with walnut comes down to simple economics, supply and demand, that sort of thing. But why are the grades different? Obviously, “to make better use of this valuable resource,” meaning so sawmills can cut the lower grade logs that are available at a reasonable price and still sell them at a higher price. Walnut is that much in demand.
I did some research on walnut grading rules by contacting the National Hardwood Lumber Association (NHLA), which is responsible for implementing the current rules, thinking that the rules must have started out the same as other species (called standard grade) and then changed at some point based on the increasing demand for walnut. I found no time when the rules made any sort of abrupt change, so it appears that even though walnut may drift in and out of style, it has always been in demand and in relative short supply. Working with the chief lumber inspector, we went back to the 1920’s and even then walnut had special exceptions to make it easier to achieve a higher grade.
The differences in the grading rules for walnut may not sound so aggressive at first, but when you see them applied in real life, it is easy to see how lower-grade walnut can slide through in the higher-grade categories. Hardwood lumber is graded by the percentage of clear area in each board, with higher grades having fewer defects and more clear wood. The assumption is that the lumber is going to be cut down to make a finished product, so it can contain a specified number and minimum size of imaginary pieces (cuttings) that can be cut out of a single board. The main differences between other hardwoods and walnut is in the additional number of cuttings allowed per board and the smaller size of the cuttings in each grade, meaning that you are allowed to cut a walnut board into more and smaller pieces to remove defects. The percentage yield of clear wood needs to be the same as other species in each grade, but the pieces can be much smaller. A great example is in the FAS (First and Seconds) grade of lumber, which is the highest grade in hardwoods. FAS lumber in walnut can have three cuttings instead of just the two in other hardwoods, and it can have shorter cuttings in lumber 8′ and longer, so the best walnut usually has a knot right in the middle of the board, where other species often won’t. That is great if you only need shorter pieces, but a real pain when you need 8′ of clear stock. You would be amazed how much FAS walnut you will have to go through to get a good amount of wide, clear and long stock, if you find it at all.
Another painful part of using commercially processed walnut is sapwood. Sapwood is the white wood on the outside of all logs, and it is a part of living life in the world of hardwoods, but since walnut heartwood is dark brown and contrasts so much, it is considered a defect (at least by the grading rules) and should be removed. Larger operations get around the sapwood issue by steaming their lumber to darken the sapwood. This is a separate operation, performed after the lumber is milled and before it is dried, that has moved walnut sapwood out of the defect category. In researching the NHLA grade books, walnut sapwood was not considered a defect, as long as it was steamed, as early as 1920.
Walnut with steamed sapwood may grade higher and look homogenous in a rough board, where it is difficult to discern sapwood from heartwood, but once the lumber is planed, the sapwood is often clearly visible, even though it has been darkened. This wouldn’t be the worst thing if it just kept a high-grade board with a touch of sapwood from being rejected, but it has allowed sawmills, while still meeting grade, to cut walnut lumber that may have up to a 100% sapwood face. No amount of steaming is going to make an all-sapwood walnut board look like anything more than an imitation of the original, and one that needs to be stained (with a walnut stain, crazy enough) to have a chance of looking acceptable.
Along with allowing the sapwood to be 100% useable introduces our good friend “Wane”. Wane isn’t a person, it is the area on the outside of a piece of lumber that is permissible to be non-existent and not reduce the footage of a board. It’s our favorite spot on the end of a 7″ wide board that only measures 5″ wide, when we really need that 7″. It comes into play now because lumber is being cut to the outer edge of the log since steamed sapwood is allowable. Sapwood and wane is allowable in other species as well, but in walnut it is just another obstacle in the way of producing a board that looks like it has no defects. A piece of walnut lumber can, and often will, have sapwood (as long as it is steamed), knots and wane and still make a high-grade.
To be clear on the sapwood issue, I am not against sapwood overall. I think the contrast between the sapwood and heartwood can be very pleasing. But some jobs require all dark heartwood or the customer would prefer all dark heartwood, and it is almost impossible to get it, even if you tried to specify it. Plus, while darkening the sapwood, steaming reduces the depth of the color in the heartwood, turning the entire board into a brown gray color instead of the deep-rich brown it is without steaming. Allowing steamed sapwood to not be a defect, just like the other special walnut grading rules is done, as they say, “to make better use of this valuable resource,” or maybe, just to sell more walnut.
I would argue that while there are written rules that clearly explain the different grades of walnut, it is unnecessary and extremely painful to have them different from other hardwoods. It is so painful, in fact, that both of my wholesalers told me that it wouldn’t break their hearts if they never sold another stick of walnut again, especially since they spend so much time listening to unhappy customers and dealing with a constant stream of returns. The point of having a grading system is so that everyone has a consistent and clear understanding of the products they are purchasing, and having such a great variation for one species does nothing but muddy the waters.
Again, it all comes back to economics. Sawmills can now pay a reasonable, if not low price (relatively speaking) for lower grades of walnut logs and sell the lumber as fast as they can cut it for a good margin. If sawmills had to move to cutting the high-grade logs to produce more truly high-grade lumber, the price of walnut, which is already high, would increase even more, probably to a point that it couldn’t be sold, at least that is what the custodians of the walnut lumber market would fear.
I personally think that the market would then just reflect what the real situation is. Just like gold, which is rare and very expensive, walnut lumber would go up in price commensurate with the demand because it wouldn’t be so easy to produce high-grade walnut. It already isn’t easy to produce high-grade walnut, it is just easier to sell it as high-grade walnut. The highest grade walnut might end up selling for twice the price it does now, but at least those paying for high-grade might actually get it.
There have been attempts to move walnut to standard grade, but they have fallen short with the walnut industry members voting to keep special rules for walnut in effect. The way the system is now keeps large walnut producers running their operations like they always have, which seems to be working, so there is little reason to change it. And, after some of my discussions with industry insiders, I found even one more reason walnut producers may want to stick to the status quo, and that is proprietary grades of walnut, meaning that producers can now sell “premium” or “super-premium” or whatever they want to call it walnut.
Since the highest grades of walnut are not that high, mills that specialize in walnut can now sell the clearest and straightest-grained walnut lumber for a premium (well beyond listed top prices) because no official grade exists for this product. They can ask higher prices and get it, as long as they deliver a product that they have the luxury of defining. It is a big win for the sawmill, but another loss for those on the other end just trying to purchase a good walnut board, because now a board that may have been beautiful and straight and perfect has even less of a chance to end up in a bundle of “high-grade” walnut. It just helps guarantee that your next FAS board won’t be clear and it will have a knot or three, probably right in the middle. Well, if nothing else, at least we are making better use of this valuable resource.
To be clear, I am not blaming any of my sawmilling friends for the current walnut situation. They are simply following the approved standards for the industry. I do, however, think walnut should be graded following the standard hardwood rules and without all of the exceptions. It reminds me a lot of playing a game with a first-grader that keeps changing the rules when they are not in their favor, and I just don’t want to play on that playground.
One of the first things I needed to figure out when I started cutting rough lumber on a sawmill was what thickness to make it. I could generally determine if I wanted it to be thick or thin, but just how thick or thin? 4/4 lumber is 1″ thick, so it should be rough cut at 1″ thick, right? Not exactly. For hardwoods, the commercial target for 4/4 lumber is actually 1-1/8″, which allows enough margin to produce dried and planed lumber at a thickness of 13/16″ or 3/4″ (3/4″ is acceptable, but the extra 1/16″ of thickness in 13/16″ material allows room for additional planing or sanding after panels or doors are glued up).
The crazy thing is that back then I couldn’t find solid information on lumber thicknesses anywhere and when I referred to the NHLA (National Hardwood Lumber Association) guide, the thicknesses didn’t match up with what I was finding from hardwood producers. The NHLA guide doesn’t include the bonus 1/8″ of thickness – 4/4 lumber, for example, is specified at a minimum of 1″.
In my experience, 4/4 hardwood lumber cut at 1″ is too thin to consistently produce flattened and planed lumber at 13/16″ thick and will even have trouble producing 3/4″ thick unless the boards are very flat. The only way 1″ thick rough-cut hardwood lumber can plane out completely to 13/16″ or 3/4″ thick is to skip the flattening and just plane the lumber. This will produce thicker finished lumber, but it won’t be flat and straight since the planer will simply follow the curves of any crooked boards. From a woodworkers perspective this is a horrible practice and makes woodworking much more difficult. For this reason, I cut my 4/4 hardwood lumber like all other quality producers at 1-1/8″ thick and don’t accept anything from other sawmills or wholesalers at 1″ thick.
Starting with the lumber measurement and adding 1/8″ for the final thickness is how all of the hardwood measurements go, with a target for 4/4 lumber at 1-1/8″, 5/4 lumber at 1-3/8″, 6/4 at 1-5/8″ and 8/4 at 2-1/8″. These are the commercially accepted numbers, and except for 8/4 lumber the ones that I shoot for. The problem with 8/4 lumber is that since there is more wood it shrinks more than thinner lumber and 2-1/8″ thick just isn’t enough thickness to flatten and plane lumber to consistently finish at 1-3/4″, which is the target for 8/4 lumber. When I flatten and plane batches of 8/4 lumber milled at 2-1/8″ thick it isn’t uncommon for half of the lumber to finish at 1-5/8″ thick instead of 1-3/4″.
Because I think 2-1/8″ is a little thin, I commonly cut 8/4 lumber at 2-3/8″ thick. 2-3/8″ thick is twice that of 4/4 lumber, plus the 1/8″ saw kerf that would have been between the two imaginary cuts. The extra thickness not only impresses the ladies, but it assures a final dried and planed thickness of at least 1-3/4″ and officially uses no extra wood when compared to cutting 4/4 lumber (to keep things simple, a friend of mine simply calls it “double four quarter” lumber). As I mentioned though, 8/4 is commercially sawn at 2-1/8″ thick, so if you cut it at that measurement it isn’t wrong, 2-3/8″ is just better for the end user (none of my customers have ever been upset that the wood is a little thicker).
The previous examples were for hardwoods, but softwoods, like white pine, can be cut thinner since they shrink less and dry straighter overall, plus softwoods are commonly used for construction purposes instead of furniture, which don’t need the extra thickness for secondary planing or sanding, so 3/4″ final thickness is common for 4/4 softwood lumber. For 4/4 white pine for example, I cut 1″ thick, which will finish at 3/4″. And, for cedar, which shrinks very little and is very straight and stable, I will go even thinner, down to 7/8″. In general though, softwoods are cut on the standard quarter scale with 4/4 lumber measuring 1″.
The scale below shows the target hardwood lumber thicknesses for commercially produced, rough-cut lumber and their planed thickness counterparts. These are the sizes you should expect to find when shopping for hardwoods.
Hardwood Lumber Measurements
Quarter-scale measurement Rough cut thickness Planed thickness
4/4 1-1/8″ 13/16″
5/4 1-3/8″ 1-1/16″
6/4 1-5/8″ 1-1/4″
8/4 2-1/8″ (or 2-3/8″*) 1-3/4″
*2-3/8″ is a better thickness to consistently finish at 1-3/4″ thick, but 2-1/8″ is the norm.
I have been on a sycamore kick lately, and this sycamore slice keeps my streak going. There are three stacks of these rough sawn slices for sale in my shop, and though I have sold a few, this is the first one to officially get finished and installed.
The slice is 3″ thick and is a cross cut of a 48″ diameter hollow sycamore log that had the added benefit of having a long open wound that didn’t quite seal up. In the tree’s attempt to close the wound the new wood took on a curl shape on both ends that make the slice look more like an artistic expression than just a hollow log.
Since the tree was standing dead all of the sapwood is consistently spalted and marbled in appearance. There is some solid heartwood in the piece which isn’t spalted, but has a beautiful rust color.
I was planning on ditching this tree since it was hollow and didn’t seem to have any millable lumber in it, but when I saw the curl shape on the inside of the log I did a u-turn on my way to the dump. Solid logs with complete centers that are sliced like this tend to crack and fall apart because of the drying stresses in the log, but in this case all of the drying stresses were relieved since the center was gone. When the outside wood wanted to shrink it wasn’t restricted by wood on the inside and could freely reduce in diameter without any problems.
I installed the slice on the wall with two lag screws, just like a mantel. I drilled matching holes on the back of the wood and just slid it on the wall (with the help of my customer). This system works great since it allows the piece to get flush to the wall and enables it to be removed without tools should the need arise.
Overall, I am ecstatic to have one of these completed and out the door. Next up is to finish at least one extra to keep in the shop to show off. You wouldn’t believe how much faster they sell with a finished sample around to seal the deal.
Recently, I was in need of some empty wine crates to fill in the bottom shelves of a wine cellar that I was building for Silver Oaks Chateau, a wedding venue just outside of Wildwood, MO. I picked up the wine crates for $5 each, which seemed fair, but only a couple of them had complete lids. The rest were destroyed when the cases were opened by the employees at the wine store.
My plan was to install the empty wine cases so they looked as though they were full and unopened, so the lids had to be rebuilt. All of the boxes are made from pine, and mostly Eastern white pine. I am guessing that a couple from France are some more exotic form of pine found only in Europe, but they looked a lot like Eastern white pine.
I worked through the stack of twelve cases and found three that had serviceable lids, which just need to be nailed on again. The others were broken or nonexistent, so I headed over to my rack of pine and grabbed a few boards to resaw and plane to 1/4″ thick. On my way to the table saw I thought to myself, “It sure is nice to have a bunch of pine just waiting around to be used like this.”
And, it wasn’t by accident.
I have white pine in the shop because I like it. I especially liked it because I had it when I needed it, but I like it well beyond that. White pine is easy to work with, lightweight, dries quickly and stays straight, it is easy to nail and screw, it is easy to plane and distress, and the trees can get big with beautiful straight logs. Plus, the wood smells great and leaves my shop smelling fresh and clean. It isn’t so great at resisting dents or Mother Nature, but those usually aren’t deal breakers for me.
White pine is usually poo-pooed by everyone and treated as a lesser wood. Maybe it’s because it is sold at Home Depot and it doesn’t cost too much, or maybe it’s because pine is thought of as a framing lumber. Either way, it seems like everyone thinks that nice woodworking isn’t done with pine. But, I say don’t blow pine off just yet.
Think about the things that pine is good for and focus on them. It is great for projects with big and long pieces since it is light, dries quickly and the logs can be big (the 16′ long tables for Urban Chestnut in the photos above are a great example). Pine is the perfect choice for anything with a rustic feel because it can easily be worked with hand tools, distressed with minimal effort and is naturally rustic in feel from the characteristic knot patterns. But, white pine isn’t always knotty. The big logs can produce completely clear lumber for projects with a more modern look, and even smaller logs can produce clear lumber between the knots, which can be used for smaller projects. White pine is also fantastic for woodwork that needs to stay straight, like interior doors, because of the trees normally straight up growth pattern which produces consistently stable lumber. I have built many doors with white pine, and I love knowing that the doors will stay very straight. Just think about all of the places that you could use pine and haven’t given it a chance.
Lastly, think of the joy of working with pine. Everything, except sanding, is easier with white pine – focus on that. Pull that handsaw off the wall and make a few cuts, just for the fun of it. Grab a hand plane and make long curls of shavings. Leave those shavings on the floor and feel how soft and fluffy it is, and enjoy the smell. Pick up a board and feel how the lumber is so lightweight and a joy to carry. Heck, grab a stack of boards and carry those around for a bit, and be thankful they aren’t oak. Imagine your shop is much older than it is, maybe with a water wheel powering the entire operation, and be proud to use a wood that has been making its way into furniture for hundreds of years.
Stop finding reasons to not use pine, and you will start to fall in love with it before you know it. All you need to do is spend some quality time with the white pine and keep an open mind.
A few years ago I cut a huge American Elm log into slabs and quickly sold all of them except one piece that ended up being short after hitting a few nails. The nails dulled the sawmill too much to finish the cut, so I just cut the slab off at about five feet long and salvaged what I could. All of the other slabs where long enough to make large tables while this one struggled to find a home, until I got a request for a kitchen peninsula top.
I flattened the slab on the Lucas mill and sanded it by hand since it was too wide to fit through the wide belt sander. It wasn’t until I sprayed the first coat of finish on it that I realized how nice it was and was reminded why I like American elm so much.
The slab had a great shape with a beautiful crack down the middle and the edges had tons of character too with ridges and bumps down the entire length. But, what really made it stand out and grab your attention was the figure of the wood and its chatoyance, or the way the light bounces off of the surface. The finish has great depth and changes in brightness as you walk around the piece. It reminds me of satin sheets with ridges that reflect ribbons of light. It is really something that you need to see in person.
Here are some before and after photos of the slab.
I am currently working on installing a wood ceiling in the basement of my house. I thought it would be a great use of eastern white pine and a treat to actually do a little work on my own house. I “treated” myself to eastern white pine because it is the cheapest lumber I sell and therefore causes me the least financial negativity by not selling it.
As I was rounding up all the pine in my shop, I was worried I didn’t have enough stock, so I looked for lumber that was similar. I grabbed some spruce and cypress that seemed fairly similar, and since I am whitewashing all of the lumber, I decided they would work. The spruce looks great. Most people couldn’t tell the difference between it and the white pine.
The cypress is a different story, but not for the reasons you would think. The problem with the cypress is that after I sealed it with shellac prior to the whitewash some of it looked so cool I couldn’t bring myself to whitewash it.
I have always poo-pooed local cypress because it has so much sapwood from growing quickly in wide open spaces (usually yards). The sapwood is less durable than the heartwood so the wood is not the best choice for exterior applications, which kills me because that is the first thing that people expect out of cypress. When someone asks if I have cypress I say,”Yes, but not the cypress you are thinking of. It didn’t come out of a deep swamp from a slow-growing old tree, and there isn’t much clear wood.” Almost every board is knotty since the trees are usually covered in branches to the ground. Everything about this “exterior” wood says don’t use it outside, so it tends to lean against the wall for sale and only very slowly trickle out of the store.
Now, I got a fresh look at my cypress, but not for an exterior application. Now, I just looked at it as wood, and what I saw was a wood that stands out from the crowd. Some of the boards looked more like burls and less like lumber. The knots are clustered in tight pockets, mixed with bark inclusions and swirly grain. Again, not great for exterior wood, but awesome for a future piece of furniture.
As I went through the stack and rediscovered the boards, I set them aside, hoping that I could finish the job without using them. At this point, I have the ceiling almost completed and it looks like I won’t need the cypress. But, even if I did, I have a feeling that I would be milling up some new, not-so-cool lumber to finish the job. This stuff is just too cool to paint and put on the ceiling. Go-oh, Cypress!