I am currently working on installing a wood ceiling in the basement of my house. I thought it would be a great use of eastern white pine and a treat to actually do a little work on my own house. I “treated” myself to eastern white pine because it is the cheapest lumber I sell and therefore causes me the least financial negativity by not selling it.
As I was rounding up all the pine in my shop, I was worried I didn’t have enough stock, so I looked for lumber that was similar. I grabbed some spruce and cypress that seemed fairly similar, and since I am whitewashing all of the lumber, I decided they would work. The spruce looks great. Most people couldn’t tell the difference between it and the white pine.
The cypress is a different story, but not for the reasons you would think. The problem with the cypress is that after I sealed it with shellac prior to the whitewash some of it looked so cool I couldn’t bring myself to whitewash it.
I have always poo-pooed local cypress because it has so much sapwood from growing quickly in wide open spaces (usually yards). The sapwood is less durable than the heartwood so the wood is not the best choice for exterior applications, which kills me because that is the first thing that people expect out of cypress. When someone asks if I have cypress I say,”Yes, but not the cypress you are thinking of. It didn’t come out of a deep swamp from a slow-growing old tree, and there isn’t much clear wood.” Almost every board is knotty since the trees are usually covered in branches to the ground. Everything about this “exterior” wood says don’t use it outside, so it tends to lean against the wall for sale and only very slowly trickle out of the store.
Now, I got a fresh look at my cypress, but not for an exterior application. Now, I just looked at it as wood, and what I saw was a wood that stands out from the crowd. Some of the boards looked more like burls and less like lumber. The knots are clustered in tight pockets, mixed with bark inclusions and swirly grain. Again, not great for exterior wood, but awesome for a future piece of furniture.
As I went through the stack and rediscovered the boards, I set them aside, hoping that I could finish the job without using them. At this point, I have the ceiling almost completed and it looks like I won’t need the cypress. But, even if I did, I have a feeling that I would be milling up some new, not-so-cool lumber to finish the job. This stuff is just too cool to paint and put on the ceiling. Go-oh, Cypress!
It started out as a simple wine closet, a small room to be built-in the corner of an unfinished basement. My customer has simple tastes and he really just wanted an improvement on his simplified (non) design that had left his wine collection in a closet under the stairs. In it he had a wine room cooler on the floor that was running with the exhaust pointed out the semi-shut door. I don’t think it really helped the quality of the air, but it could still qualify as a wine cellar, at least in very loose terms. No matter what you call it, it needed some sort of upgrade to take its rightful place in this custom Ladue home.
As I mentioned, he has simple tastes, but apparently his wife does not. On my second meeting with him, he pulled out a photo book with a lavish French theater that his wife had found and said that since we were going to build something downstairs and he had the extra room, he would like to add a theater to the mix. It was a giant jump from where we started, but I did not argue.
The theater room quickly took shape with our new directive, and the wine cellar followed, becoming equally involved and in a French country style, which called for the racks to have more of a furniture feel. The nine pieces, the arched entry door, and the two beams in the wine cellar where made from a batch of hickory logs that I recovered from a tree service a year earlier. It turns out that about twelve months is the perfect amount of time for hickory to get very wormy and nicely spalted.
Much of the racking in the wine cellar is traditional, with ladder racks holding the bulk of the collection, but each piece of furniture displays the wine in different ways, from individual bottles to entire cases. One of my favorite little details that I commonly use now in other wine cellars is adjustable shelving. I know it doesn’t sound earth shattering, but in a wine cellar the shelves can be used flat for case storage or offset with a tilt for displaying individual bottles. The shelves have a strip across the front which is flush on top and forms a lip on the bottom, which when flipped over keeps the bottles from sliding off and crashing to the floor. The tilted shelves are especially helpful for holding and displaying odd-shaped and larger bottles that don’t fit in the other racks.
Between the theater and the wine cellar is a spot for a poker table and a back bar made from rift sawn white oak cabinets and walnut countertops with art glass windows above. All of the woodwork around the windows is made from poplar that was stained dark brown and glazed with black for an antique appearance. The walnut countertop was built up to 1.5″ thick by laminating two layers of 3/4″ thick stock together. I have done this many times and it works great (click here to see how it’s done).
The theater itself involved a lot of trim details. The ceiling is broken into three sections with painted beams and large crown molding, while the walls feature a hand-crafted plaster finish and picture-frame moldings – all of which add to the French feel of the room.
From humble beginnings to this showcase of a job, things really changed. I would have never guessed that this is how it would turn out when we started.
I am terrible at remembering to take photos of my projects. I usually tell myself that I will take the pictures next time since the job isn’t officially done yet, or the background doesn’t look great, or my shop looks like it houses six families of hobos, but when the job is unceremoniously complete, I set off for my next one without even a snapshot.
In an effort to prove that I actually do work every now and then, I have pulled together a quick photographic rundown of 2014. Some of them you may have already seen, some are new, and yes, some are still missing (just imagine all of the other swell things that I did that aren’t included).
Here’s to a new year of great projects and remembering to take more photos! Happy New Year!
The final touches have been put on the natural playground structure for Immanuel Lutheran preschoolers and they have already been putting it through its paces.
The deck, climbing wall and steps are made from white oak, the posts are eastern red cedar, and all of the twisty branches are osage orange. The three species of wood were chosen for their ability to weather the elements, while the white oak and osage orange have the added benefit of being exceptionally strong.
Thanks to the staff at Immanuel for being great hosts. They always greeted me with a smile and sometimes, even with cookies.